Showing posts with label gagosian gallery. Show all posts
Showing posts with label gagosian gallery. Show all posts

3/20/15

art | chamberlain | prouvé

you may think of jean prouvé (1901-1984) as a mid-century french furniture designer.  the standard chair, which he designed during the 1930's, is a modern classic that is now produced by vitra.
 
 jean prouvé | standard chair | circa 1950 | laffanour galerie downtown/paris | paris, france
photo credit 1st dibs

for the standard chair, prouvé designed a metal frame, with tubular front legs and tailfin shaped back legs.  he fabricated the hollow frame from sheets of steel, a thin but strong material that is commonly used in the automobile industry.

you may also know that jean prouvé was an architect.  he believed that:

'in their construction there is no difference between furniture and buildings.'
-jean prouvé

both the furniture and the buildings that he designed used similar construction systems.  as a result, both could be easily modified, moved, or dismantled.

 jean prouvé | deconstructed standard chair | circa 1950
photo credit the row on instagram

two of prouvé's demountable buildings were exhibited at design miami and design miami/basel in 2013 and 2014 by paris dealer, galerie patrick seguin.

from 27 february-4 april 2015, galerie patrick seguin is exhibiting two more in collaboration with gagosian gallery in new york.

at gagosian, both buildings are surrounded by and filled with john chamberlain (1927-2011) sculptures.

chamberlain's sculptures are constructed from salvaged automobile parts.  tailfins, fenders, and hoods that he bent, crushed, twisted, welded, and painted. 

'the mangle is the message.'
-john chamberlain

john chamberlain | constantpunchline | 2008
 photo credit lisa walsh | innerspace

do you think that the demountable structures and the mangled metal sculptures are a dynamic juxtaposition?

jean prouvé | demountable house portal frames
photo credits lisa walsh | innerspace




jean prouvé | model | demountable offices for ferembal | nancy, france | 1948
bent steel frame with five axial portal frames set on a pressed steel floor
held together by ridge beams, which support the purlins and aluminum roofing slabs
facade constructed of prefabricated double sided wood panels, which slot together interchangeably
structure rescued from the demolition of the fermebal site in 1983
adapted by french architect, jean nouvel
 
photo credits lisa walsh | innerspace




 john chamberlain | euphoriainahat | 2010
photo credits lisa walsh | innerspace




 john chamberlain | cloudedleoparoexpresso | 2010
 photo credits lisa walsh | innerspace



 
  

 
john chamberlain | magnesium revolt | 1977
photo credits lisa walsh | innerspace

john chamberlain | battsy beeker | 1983
photo credits lisa walsh | innerspace


john chamberlain | dhuha ditty | 1983
photo credits lisa walsh | innerspace





jean prouvé | model | temporary school of villejuif | paris, france | 1956
constructed from prefabricated components
sheet steel props support the curved, cantilevered, laminated wood roof
facade constructed of glazed panels divided by sheet steel sections that act as stiffeners and provide ventilation
after the school was dismounted, the components were reused in other buildings
photo credits lisa walsh | innerspace





john chamberlain | entirelyfearless | 2009
photo credits lisa walsh | innerspace




john chamberlain | tasteylingus | 2010
photo credits lisa walsh | innerspace

from 18-21 june 2015, another jean prouvé demountable house will be exhibited at art | basel.

jean prouvé | model | 6x6 demountable house | 1944
 original structure with the addition of modern living facilities 
modern additions include external bathroom and kitchen pods 
and, a series of service trolleys that provide hot water and solar electricity
adapted by british architect, richard rogers | rogers stirk harbor + partners
photo credits lisa walsh | innerspace

27 february-4 april 2015
gagosian gallery
555 west 24th street
new york, NY 10011
tuesday-saturday 10 am-6 pm 

18-21 june 2015
art | basel
messeplatz 10
4005 basel, switzerland

11 am-7pm
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3/14/14

art | richard serra

when i first walked through joe, the torqued spiral richard serra sculpture in the courtyard of the pulitzer foundation for the arts in st louis MO, where i grew up, i immediately envisioned the sculpture as an event venue, with guests walking through the ribbon of steel on their way to a party in the center.

it seems that i am not unique, because people have told richard serra about practicing yoga, or holding weddings inside his sculptures.

richard serra | joe | weathering steel | 2000 | pulitzer foundation for the arts | st louis MO

serra's sculptures explore the phenomenological experience of space.
the somatic, emotional, and intellectual feelings that you get when you are walking around, through, or beneath his massive sculptures.

while i was working in new york last week, i was visiting art galleries in chelsea.  so, i also visited the gagosian gallery, which is showing richard serra:  new sculpture from 26 october 2013-15 march 2014.

the exhibition features four monumental sculptures, which represent a new stylistic direction for richard serra.  even though the new sculptures are rectilinear, instead of curvilinear, some of the new pieces have precedents in previous pieces.

'as sequences unfold, new forms come out of old pieces.'
-richard serra

richard serra | hours of the day | 1990 | bonnefanten museum | maastricht, netherlands
photo credit wikimedia

 richard serra | intervals | weatherproof steel | 24 plates | 2013
richard serra:  new sculpture | gagosian gallery | 555 west 24th street | new york NY | 26 october 2013-15 march 2014
photo credit rob mckeever

 like hours of the day, intervals is an installation of freestanding rectangular steel plates.

serra describes the components of intervals with mathematical precision.
there are 24 steel plates.
each plate is 9 inches thick. 
the plates are positioned 42 inches apart.
there are 3 elevations-4, 5, and 6 feet high.
and, there are 4 lengths-5, 7, 9, and 11 feet long. 

the structure feels logical as you walk through the space.
yet, walking through the labyrinth is a dynamic experience.
you can enter or exit anywhere.
and, the elevations rise and fall as you weave in and out. 

 richard serra | intervals | weatherproof steel | 24 plates | 2013

some journalists have compared the 24 steel plates in the installation to the tombstones in a cemetery, a comparison that went viral after charlie rose interviewed richard serra on the 27 december 2013 episode of charlie rose: the week.

serra disagrees with this comparison.

he considers his sculptures as dynamic, instead of static structures.  he thinks that walking through a rectilinear space, like intervals, makes you feel more grounded than walking through a curvilinear space.

intervals is serra's expression of that experience.
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