do you dream in technicolor or in black & white?
if you are like artist david hockney, then the answer is both.
david hockney: a bigger exhibition, is showing at the de young museum in san francisco CA from 26 october 2013-20 january 2014.
the exhibition is enormous. it features over 300 works, shown in
18,000 square feet of gallery space, making it the biggest exhibition in the history of the de young museum.
even bigger than david hockney RA: a bigger picture, where i first saw hockney's technicolor landscape paintings at the royal academy of arts in london, united kingdom during 2012. the san francisco show includes many of the paintings from a bigger picture.
david hockney | the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven) - 2 january | one of 52 iPad drawings printed on paper | 2011
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit the royal academy of arts | (c) david hockney
but, the san francisco show also includes new work, which has never been exhibited or published before.
since a bigger picture, hockney suffered a stroke, lost a studio assistant, and relocated to his los angeles CA studio.
during his recovery, he began drawing with charcoal on paper. during this period, hockney revisited many of the locations from the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven), a series of 52 iPad drawings. the arrival of spring in 2013, a series of 25 charcoal drawings, will be showcased in one gallery of the de young museum during the exhibition.
hockney's charcoal drawings have been described as more detailed, and more defined than his previous work.
'i'm very proud of them, actually, very proud. i think it's one of my great works, this, the 25 drawings.'
-david hockney
david hockney | woldgate, 6-7 february | from the arrival of spring in 2013 (twenty thirteen) | charcoal on paper | 2013
david hockney: a bigger exhibition | 26 oct 2013-20 jan 2014 | de young museum | san francisco CA
photo credit richard schmidt | (c) 2013 david hockney
during his recovery, hockney also began drawing charcoal portraits of colleagues, friends, and family members. hockney prefers drawing people that he knows.
'if you know them well, you've got different memories of them...we all see with memory, don't we?'
-david hockney
his most recent portraits are painted with acrylic paint in swimming pool colors. since hockney has not worked in acrylic paint for over 20 years, to him, it seems like a new medium. in addition to approximately 40 recent charcoal drawings, the de young exhibition also features 14 recent acrylic portraits.
david hockney in his los angeles CA studio with works from his upcoming exhibition at the de young museum in san francisco CA
photo credit financial times
during 2012-2013, david hockney RA: a bigger picture attracted over 600,000 visitors in london, and a total of 1.2 million visitors at the royal academy in london, the guggenheim museum in bilbao, spain, and the museum ludwig in cologne, germany.
could the san francisco show be a bigger exhibition?
click here or here or here to read more about david hockney's recent work.
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art | david hockney
when you think of david hockney, you might think of his pop art paintings of california swimming pools.
david hockney | a bigger splash | acrylic on canvas | 1967
tate collection | london, united kingdom
photo credit tate
and, david hockney RA: a bigger picture, a blockbuster exhibition at the royal academy of arts (RA) in london from 21 january-9 april 2012, includes a painting with a swimming pool.
david hockney | mulholland drive: the road to the studio | acrylic on canvas | 1980
reproduction | david hockney RA: the bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
original | los angeles county museum of art (lacma) | los angeles, CA
photo credit lacma
but, david hockney is also a landscape artist.
after showing bigger trees near warter, a 50 canvas painting, at the summer exhibition 2007, the RA offered hockney all of the main floor galleries for a landscape painting exhibition.
david hockney | bigger trees near warter | oil on 50 canvases + two collages of 50 color photographs | 2007
tate collection | london, united kingdom
photo credits (c) david hockney and tate
the exhibition features over 150 works, most created between 2004 and 2011.
although it is an exhibition, instead of a retrospective, a bigger picture includes a survey of earlier landscapes, painted from 1956-1998, that offer an opportunity to reconsider hockney as a landscape artist, instead of a pop artist.
hockney's work reflects the influences of past artistic movements, such as cubism, impressionism, or fauvism.
hockney also uses optical tools to experiment with the representation of space, the manipulation of perspective, the use of color, and the variation of technique.
the camera is one of hockney's favorite optical tools. he photographed the grand canyon in 1982, but didn't use the photographs to create grand canyon with ledge, arizona, 1982, collage #2, a 60 photograph collage, until 1986.
tate collection | london, united kingdom
photo credit tate
and, david hockney RA: a bigger picture, a blockbuster exhibition at the royal academy of arts (RA) in london from 21 january-9 april 2012, includes a painting with a swimming pool.
reproduction | david hockney RA: the bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
original | los angeles county museum of art (lacma) | los angeles, CA
photo credit lacma
but, david hockney is also a landscape artist.
after showing bigger trees near warter, a 50 canvas painting, at the summer exhibition 2007, the RA offered hockney all of the main floor galleries for a landscape painting exhibition.
tate collection | london, united kingdom
photo credits (c) david hockney and tate
the exhibition features over 150 works, most created between 2004 and 2011.
although it is an exhibition, instead of a retrospective, a bigger picture includes a survey of earlier landscapes, painted from 1956-1998, that offer an opportunity to reconsider hockney as a landscape artist, instead of a pop artist.
hockney's work reflects the influences of past artistic movements, such as cubism, impressionism, or fauvism.
hockney also uses optical tools to experiment with the representation of space, the manipulation of perspective, the use of color, and the variation of technique.
the camera is one of hockney's favorite optical tools. he photographed the grand canyon in 1982, but didn't use the photographs to create grand canyon with ledge, arizona, 1982, collage #2, a 60 photograph collage, until 1986.
david hockney | grand canyon with ledge, arizona, 1982 | collage of 60 color photographs | 1986
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
he described the process of making collages from the grand canyon photographs as a ‘cubist idea.'
'when you put one piece of paper on top of another...
you put two pieces of time together...
therefore, make[ing] a space.
i thought i was making time.
then, you realize you’re making space.
then, you realize time and space are the same thing.'
in 1998, hockney painted a bigger grand canyon from the collages and other studies, and a closer grand canyon from memory. the multiple viewpoint perspective in both paintings again references cubism.
the grand canyon paintings also reference cubism by translating the grid pattern from the photo collages into a multiple canvas format. this becomes the standard format for hockney's large scale works.
david hockney | a bigger grand canyon | oil on 60 canvases | 1998
david hockney | a closer grand canyon | oil on 60 canvases | 1998
hockney's yorkshire landscapes are also technical studies. he experiments with impressionist or fauvist painting techniques, such as pointellist seurat dots, swirling van gogh brushstrokes, or colorful matisse stripes.
and, hockney also experiments with technological tools.
the arrival of spring in woldgate, east yorkshire in 2011 includes a series of 52 prints, drawn on an iPad, that capture the transition from winter to spring along a country road near his home.
as he was drawing, hockney adjusted the color and his technique so that the drawings could be enlarged and printed.
david hockney | the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven) | oil on 32 canvases | 2011
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
he described the process of making collages from the grand canyon photographs as a ‘cubist idea.'
'when you put one piece of paper on top of another...
you put two pieces of time together...
therefore, make[ing] a space.
i thought i was making time.
then, you realize you’re making space.
then, you realize time and space are the same thing.'
in 1998, hockney painted a bigger grand canyon from the collages and other studies, and a closer grand canyon from memory. the multiple viewpoint perspective in both paintings again references cubism.
the grand canyon paintings also reference cubism by translating the grid pattern from the photo collages into a multiple canvas format. this becomes the standard format for hockney's large scale works.
david hockney | a bigger grand canyon | oil on 60 canvases | 1998
national gallery of australia (nga) | canberra, ACT, australia
photo credit nga
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
louisiana museum of modern art | humlebaek, denmark
louisiana museum of modern art | humlebaek, denmark
photo credit (c) david hockney
secret knowledge: rediscovering the lost techniques of the old masters, a book by hockney published in 2001, explores how optical tools, such as the camera, influenced painting composition for over six centuries.
photo credit amazon.com
but, hockney rejects the use of optical tools when he decides to paint the yorkshire landscapes in the exhibition from direct observation.
hockney's landscapes could define yorkshire like impressionist landscapes defined the south of france.
like monet's paintings, hockney's yorkshire landscapes are studies of changing seasonal and light conditions. sometimes, he paints the same location, such as the thixendale trees, at different times of the year.
but, hockney rejects the use of optical tools when he decides to paint the yorkshire landscapes in the exhibition from direct observation.
hockney's landscapes could define yorkshire like impressionist landscapes defined the south of france.
like monet's paintings, hockney's yorkshire landscapes are studies of changing seasonal and light conditions. sometimes, he paints the same location, such as the thixendale trees, at different times of the year.
david hockney | three trees near thixendale, spring 2008 | oil on 8 canvases | 2008
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
david hockney | three trees near thixendale, summer 2007 | oil on 8 canvases | 2007
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
david hockney | three trees near thixendale, autumn 2008 | oil on 8 canvases | 2008
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
david hockney | three trees near thixendale, winter 2007 | oil on 8 canvases | 2007
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
other times, he paints the same subject, such as blossoming hawthorne trees, in different locations at the same time of the year.
photo credit (c) david hockney
david hockney | hawthorne blossom near rudston | oil on two canvases | 2008
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdomphoto credit (c) david hockney
david hockney | the big hawthorne | oil on 9 canvases | 2008
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
david hockney | may blossom on the roman road | oil on 8 canvases | 2009
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
photo credit (c) david hockney
hockney's yorkshire landscapes are also technical studies. he experiments with impressionist or fauvist painting techniques, such as pointellist seurat dots, swirling van gogh brushstrokes, or colorful matisse stripes.
and, hockney also experiments with technological tools.
the arrival of spring in woldgate, east yorkshire in 2011 includes a series of 52 prints, drawn on an iPad, that capture the transition from winter to spring along a country road near his home.
as he was drawing, hockney adjusted the color and his technique so that the drawings could be enlarged and printed.
david hockney | the arrival of spring (untitled iPad drawing, 12 april 2011, no. 1) | iPad drawing printed on paper | 2011
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
the series also includes a 32 canvas oil painting. the brighter colors, simpler brushstrokes, and bolder composition reflect hockney's iPad drawing techniques.
the series also includes a 32 canvas oil painting. the brighter colors, simpler brushstrokes, and bolder composition reflect hockney's iPad drawing techniques.
david hockney | the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven) | oil on 32 canvases | 2011
david hockney RA: a bigger picture | 21 jan-9 apr 2012 | royal academy of arts | london, united kingdom
photo credit (c) david hockney
if you are in london, david hockney RA: a bigger picture is a 'must see' exhibition!
click here or here or here or here to read reviews of the exhibition.
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